It’s been a long time coming, but Earl Sweatshirt is finally back with new music.
Denmark Vessey is gearing up for the release of his forthcoming Sun Go Nova EP, which will be released on 4-20-18 via Mello Music Group. Sun Go Nova is comprised of five tracks of eccentric raps strictly produced by Knxwledge and Earl Sweatshirt. Today, the cult rap hero premiered the lo-fi “Sellout,” with Hotnewhiphop. “Sellout” features Chicagoans Vic Spencer and DrxQuinnx.
There’s an innate gravity to the words themselves on “Sellout,” especially in tandem with the psychedelic thump of Earl’s production: “Got no bond money to bail out/ shit ni**a rap don’t work I’m whipping this fishscale out/Probably not though/I watched The Wire it looked fire/but I checked online the streets not hiring bro.”
“Sellout’” is the Vernon Maxwell on the Sun Go Nova album” Denmark commented to Hotnewhiphop. “Without it, we don’t win a championship, the same way the 94’ Houston Rockets don’t get a ring without Vernon Maxwell.”
You’ll wanna hear this posse cut off Danny Brown’s ‘Actrocity Exhibition,’ due out September 30th.
Odd Future’s Earl Sweatshirt drops some dope bars on his new track “Quest/Power.” Produced by Samiyam and Budgie. Listen to the track below.
Earl Sweatshirt has always seemed like the smartest smartass in Odd Future, but for a long time, it was hard to say for sure. By the time most people heard his gory cult-classic 2010 mixtape, Earl, the teen MC had already been shipped off to Samoa; since returning from boarding-school exile in 2012, he has remained relatively elusive. That makes this, his first full-length release since becoming famous, feel like a moment of truth: Was he really that great, or was it all some kind of mass hallucination?
Actually, he’s even better. His rhyme schemes are as complex as ever, and these resolutely unpop beats – sticky-icky sample collages from producers including Pharrell, RZA and himself – are an ideal canvas. But his subject matter has undergone a drastic overhaul. Unlike some peers, Earl has figured out that shock value only goes so far. Doris’ themes are way less cartoonish – getting stoned, shrugging off career pressures, staring down his least-favorite feelings. On “Chum,” Earl admits to missing his estranged dad: “It’s probably been 12 years since my father left/Left me fatherless/And I just used to say ‘I hate him’ in dishonest jest.” It’s one of many moments that hit harder than the imaginary violence that got the world’s attention three years ago.